Artist known for ‘Boob Garden’ and ‘Rave Coffin’ unveils new piece ‘Crab Couch’ in South Philadelphia.

In a remarkable expression of public art, Rose Luardo has transformed a vacant lot in South Philadelphia into a vibrant creative space. Occupying what was once the site of Capt. Jesse G’s Crab Shack, Luardo’s latest installation, titled “Crab Couch,” adds to her growing portfolio of whimsical art pieces designed to engage and entertain the community.

For the past several years, Luardo has dedicated herself to infusing art into the public realm, with previous installations including the “Boob Garden,” a set of furniture adorned with handmade plush breast designs, and the “Rave Coffin,” a vibrant casket crafted from tie-dyed felt. In her latest project, she artistically reimagined a discarded white sofa, repurposing it into a playful sculpture resembling a crab. This creative endeavor showcases not only her flair for unusual artistic expression but also a commitment to reinvigorating forgotten spaces in the urban landscape.

Positioned prominently at the intersection of Washington Avenue, Passyunk Avenue, and 8th Street, “Crab Couch” features six legs, expressive eyes, and large claws, creating a whimsical focal point in the otherwise unremarkable lot. The installation was conceived with the help of Luardo’s niece and a friend, who contributed their artistic input during its transformation. The playful nature of the piece is further enhanced by its humorous engagement with local culture, as one claw hilariously grips a giant cigarette, poking fun at the community’s quirky habits.

Luardo first showcased “Crab Couch” during a gallery exhibit in September, recognizing its potential for public engagement rather than commercial sale. Since its installation, the piece has captured the attention of locals and has been embraced by the community, evidenced by its nearby improvised fire pit, which has become a gathering spot. As of now, the lounge chair is weathering the elements, with some signs of wear, but it stands as a testament to Luardo’s belief that public art can enrich urban environments and create spaces for social interaction.

The lot itself, which has sat vacant since at least 2016, is owned by 1100 Passyunk Partners LLC, who purchased it for .85 million in 2020. Although the property remains undeveloped, Luardo’s artistic initiatives have contributed a layer of character that resonates with the community of South Philadelphia. Given its history and current state, there are calls for the property’s owners to consider gifting it to Luardo, whose work has brought a sense of vitality to an otherwise neglected site.

As Philadelphia prepares to welcome visitors in the coming years, the incorporation of unconventional art installations like “Crab Couch” may very well redefine the perception of the city. Luardo’s continued experimentation with public art invites the question: Could this be a model for how urban spaces might transform into more engaging and vibrant locales for both residents and visitors?