Japanese Breakfast to Perform ‘Melancholy’ Tour at the Met in Philadelphia

Michelle Zauner, the driving force behind Japanese Breakfast, has seen remarkable success in recent years, highlighted by her celebrated third album, Jubilee, and the release of her memoir, Crying in H Mart. Both works garnered critical acclaim and multiple Grammy nominations, resonating with audiences for their exploration of themes such as identity and grief.

On Thursday, Zauner returned to Philadelphia, a city significant to her artistic journey, to perform at the Met Philadelphia. This concert marked the beginning of a two-night engagement, promoting her latest album, For Melancholy Brunettes (& Sad Women), released in March 2023. The album’s title references a line from John Cheever’s short story, The Chimera, showcasing Zauner’s inclination towards literary themes in her music.

Zauner’s decision to pivot from the buoyant alt-pop of Jubilee to a more introspective and artful sound reflects her evolving artistic vision. For Melancholy Brunettes comprises ten tracks that delve into her interests, including Gothic literature and contemporary masculinity, rather than simply chasing commercial success. Collaborations on the album feature a diverse range of artists, such as producer Blake Mills and drummer Jim Keltner, enhancing the creative depth of the project.

The Met concert, though not completely sold out, still drew a passionate crowd. Zauner’s performance began with her guitar accompaniment to Melancholy’s opening track while nestled in a giant scallop shell, creatively alluding to Botticelli’s The Birth of Venus. This theatricality set the stage for a show that combined whimsy with an impressive sense of artistry.

Throughout an 80-minute, 20-song set, the presentation maintained a cohesive and sophisticated tone. Notable moments included Zauner’s energetic performance of the track “Slide Tackle” and her use of a gong during the lively encore of “Paprika.” The band, featuring Zauner’s husband on guitar and a strong supporting ensemble, delivered ethereal soundscapes that brought the studio creations of Melancholy to life.

As the concert progressed, Zauner’s self-directed music video for “Orlando in Love,” filmed partially at Bryn Mawr College, underscored her deep connection to her roots. In a playful moment, she shared humorous insights about her time in Philadelphia, also reminiscing about the days when she interned with music promoters R5 Productions.

The evening’s repertoire included an unexpected cover of “Playground Love” by the French band Air, a testament to her willingness to experiment live. The opening act, Ginger Root, under the guise of the solo artist Cameron Lew, captivated the audience with his indie-soul compositions and charming anecdotes, including his early admiration for Japanese Breakfast.

As Zauner continues to evolve artistically while staying grounded in her origins and experiences, her journey provides a compelling narrative in contemporary music, blending personal history with a celebration of creativity. With plans for a follow-up to Crying in H Mart, and further engagements, Zauner remains a significant figure in the music landscape.