Broadway production of ‘Ragtime’ receives acclaim for its impressive score by Henry and Levy.
The musical “Ragtime” debuted on Broadway in 1998, captivated audiences with its exploration of America’s complex cultural landscape in 1906. Based on E.L. Doctorow’s acclaimed novel, the production captured the essence of a nation grappling with change, social upheaval, and the pursuit of the American dream. This grand narrative came to life under the creative vision of Canadian producer Garth Drabinsky, who invested significantly in ambitious production values, coupled with the directorial prowess of Frank Galati. Galati sought to translate Doctorow’s intricate three-pronged narrative into a theatrical form capable of resonating with a Broadway audience.
Assembling a talented team of writers and composers, including Terrence McNally, Stephen Flaherty, and Lynn Ahrens, “Ragtime” combined a rich assortment of musical styles, from ragtime to poignant ballads, reflecting the diverse experiences of its characters. The original production, despite its flaws, effectively embodied the chaotic beauty of early 20th-century America and inspired hope for progress amidst turmoil.
Fast forward to the present, the Lincoln Center’s revival of “Ragtime” intentionally shifts focus from sweeping statements about American identity to the intimate stories of individual characters, specifically those of Colehouse Walker, his beloved Sarah, and a Jewish immigrant navigating life in the New World. Under the direction of Lear deBessonet, the revival adopts a more psychological and expressionistic approach, prioritizing character development and drawing audiences into their personal struggles, while the once prominent metaphor of a nation in motion recedes.
DeBessonet’s artistic choices, including a minimalist staging devoid of grand visual motifs, prompt audiences to explore the internal conflicts faced by the characters rather than the external societal transformations. The decision to house the orchestra beneath the stage lends a somber tone, reinforcing the theme of personal journeys overshadowed by collective disappointments.
The ensemble cast showcases powerful performances that amplify these themes. Joshua Henry’s portrayal of Colehouse Walker is noted for its emotional intensity, while Nichelle Lewis offers a fragile yet compelling interpretation of Sarah. Brandon Uranowitz’s lively performance as Tateh further enriches the narrative, as does Ben Levi Ross’s subtler rendition of Mother’s Younger Brother, highlighting dimensions of characters often overlooked in previous adaptations.
Caissie Levy’s dual portrayal of Mother serves as a focal point, particularly in her rendition of “Back to Before,” a pivotal number that encapsulates her character’s emotional turmoil. The song’s build illustrates a journey from despair to reflection, echoing the musical’s broader themes of aspiration and heartbreak.
In its new incarnation, “Ragtime” resonates with contemporary audiences by intimately exploring the emotional landscapes of its characters, offering a profound commentary on the ongoing struggles and resilience in American life. While the narrative’s assertive optimism may feel less pronounced today, the underlying hope for a better future remains a treasured aspect of the musical’s ethos, ensuring that it continues to inspire audiences in challenging times.
As this revival unfolds, it reaffirms the relevance of “Ragtime,” a classic that continues to reflect the complexities of the American experience. Theatregoers are reminded of the enduring nature of these themes and the timeless hope that resonates within the heart of the nation.
