Cleveland Orchestra appoints new concertmaster from South Philadelphia.
In a significant development in the classical music world, Joel Link, a prominent violinist with strong connections to the Curtis Institute of Music, has been appointed as the concertmaster of the Cleveland Orchestra, a position regarded as one of the highest honors in orchestral music. The announcement, made on Thursday, highlighted Link’s appointment as a strategic decision by music director Franz Welser-Möst, acknowledging Link’s exceptional talent and experience.
At 36 years old, Link is not only a distinguished first violinist of the Dover Quartet, but he is also a graduate of the Curtis Institute, where he currently serves on the faculty. Despite initially not seeking new employment, Link received an invitation from the Cleveland Orchestra that prompted him to reconsider the opportunity. He expressed admiration for his involvement with the Dover Quartet, yet recognized the unique significance of being approached by such a prestigious orchestra.
Link’s selection process included a comprehensive two-week trial period during which he performed alongside the orchestra, culminating in a formal audition. His official start with the Cleveland Orchestra is set for July. The president and director of the Curtis Institute, Roberto Díaz, expressed excitement over Link’s appointment, recognizing him as an outstanding violinist who embodies the qualities essential for leading a major orchestral ensemble.
One crucial aspect of Link’s new role is the arrangement that allows him to maintain his position within the Dover Quartet. As the ensemble, currently an artist-in-residence at Curtis, begins to reduce its touring schedule, Link emphasized the importance of prioritizing quality over quantity in their performances. This adjustment comes on the heels of a planned transition within the quartet, as Julianne Lee, the group’s violist, announced her return to the Boston Symphony Orchestra.
Link’s dual commitments reflect a balance between professional aspirations and personal life, as he outlined a desire to engage fully in both his orchestral duties and his responsibilities within the quartet. The Dover Quartet, formed in 2008 during its members’ studies at Curtis, has gained international acclaim and remains dedicated to artistic excellence.
As Link transitions into his new role, the implications for the Dover Quartet at Curtis remain uncertain. Each member currently serves on the faculty, and their responsibilities will need to be navigated in light of this recent development. Link views his dual affiliation as an opportunity that enriches both his artistic endeavors and personal aspirations, highlighting the importance of sustainable practices in a classical music career.
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