Local voice teacher celebrates 50 years of training EGOT winners and opera stars, transitioning from Wynnewood to Broadway.
In the vibrant arts landscape of Philadelphia, Paul Spencer Adkins, a revered voice teacher, has played a pivotal role in shaping the vocal talents of over 8,000 students throughout his 50-year career. Based in Wynnewood, Pennsylvania, the 74-year-old educator has significantly contributed to the musical community, particularly during his more than two decades at the University of the Arts. Adkins is celebrated not only for his pedagogical expertise but also for his groundbreaking achievements in the opera world, notably as the first leading Black tenor in numerous venues.
On July 27, the Church of the Redeemer in Bryn Mawr will host a celebration to honor Adkins’ impressive legacy, featuring at least a dozen of his alumni. This commemorative event marks half a century of his teaching practice, a journey that began in Monongahela, a small town near Pittsburgh. Adkins’ career has taken him from local stages to the prestigious Brooklyn Academy of Music, where he appeared in Philip Glass’s opera, “the CIVIL warS: a tree is best measured when it is down.”
Adkins’ voice is characterized as a robust tenor, which contrasts with his idol, the slender-voiced Black tenor Roland Hayes. His accolades include being a winner of the 1981 Luciano Pavarotti International Voice Competition. However, Adkins’ ascent in the world of opera was faceted by complexities surrounding race and opportunity, particularly during the Civil Rights Movement. Arriving in Philadelphia in 1973 as a lyric baritone, he faced a challenging environment where opportunities were not equally accessible.
Adkins’ career has been marked by his forthright decision-making, which has likely contributed to the longevity of his voice beyond the typical tenor retirement age of 60. He eschewed roles that did not suit his vocal strengths, intending to preserve his instrument. The competitive world of opera pushes many talents into precarious situations, yet Adkins adopted a strategic approach to his engagements.
In addition to nurturing future vocalists, he has influenced many who have diverged from traditional singing careers, such as Benj Pasek, coauthor of the Broadway hit “Dear Evan Hansen.” Adkins believes in empowering his students beyond technical skills, fostering confidence and creativity as they prepare for auditions and performances. As many of his students tread the boards of Broadway and other prestigious platforms, they benefit from his methodical approach to vocal training, ensuring they can sustain their voices through rigorous schedules.
The celebration of Adkins’ 50th anniversary will take place at 5 p.m. at the Church of the Redeemer in Bryn Mawr, with tickets priced at .52. Proceeds from the event will support rebuilding efforts in Asheville, North Carolina, following the destruction caused by Hurricane Helene.
Paul Spencer Adkins’ commitment to excellence in vocal instruction continues to resonate throughout the Philadelphia arts community, as his legacy of good singing transcends the mere act of performance, reinforcing that quality artistry is paramount in any genre.