Opera Philadelphia’s Anthony Ruth Costanzo delivers a stunning performance as Maria Callas.

NEW YORK — For the second consecutive year, Anthony Roth Costanzo takes center stage in a remarkable and comedic operatic performance, this time portraying the iconic Maria Callas in the 1983 play Galas. This production, currently running at Little Island in Manhattan, has garnered significant attention, with all performances sold out ahead of the official opening on September 28.

Galas, under the direction of Eric Ting, has proven to be a crowd favorite, offering a lively and humorous exploration of Callas’s complex world. This portrayal strikingly contrasts with last year’s somber biopic, Maria, featuring Angelina Jolie. The current production is infused with knockabout humor and rich psychological nuance, inviting audiences to engage deeply with the nuances of Callas’ character—a powerful diva who navigated the treacherous waters of fame and personal tragedy.

The narrative unfolds through various episodes of Callas’s life, from her meteoric rise to fame to her tumultuous relationship with Aristotle Onassis, and ultimately, her solitary later years. While some aspects of the play may feel dated given Callas’s enduring legacy, it largely remains relevant and engaging. The presence of secondary characters sometimes feels excessive, likely intended to showcase the original cast’s comedic talents.

Charles Ludlam, known for his vivacious and innovative theatrical style, originally brought Galas to life. His productions, characterized by a whimsical aesthetic, were designed to defy conventional theatrical norms, as seen in the original run performed in a quaint West Village basement theater. In contrast, the current iteration at Little Island features higher production values, including a moveable runway and aerial platforms, enhancing the visual experience while Costanzo showcases his vocal prowess with arias such as the famed “Casta Diva” from Norma, adorned in a replica of Callas’s iconic concert gown.

Costanzo’s interpretation incorporates a nuanced approach reminiscent of Ludlam’s work. The portrayal captures Callas’s grandeur and volatility with humor, revealing candid reflections that the real-life diva might have harbored but never voiced. The character’s inner turmoil and ambitions shine through, providing a multifaceted perspective on her life.

The success of Galas is bolstered by strong performances from the supporting cast, notably Mary Testa as Bruna, who delivers sharp and poignant observations reflective of her own dashed musical dreams. Caleb Eberhardt effectively embodies Aristotle Onassis, adding an alluring dimension to Callas’s fascination with him, although some sequences aboard his yacht could proceed at a brisker pace.

One of the production’s standout visual effects showcases Callas in a bubble bath, creating an enchanting scene amidst the opera’s dramatic tensions. The play culminates in a powerful moment where Costanzo strips away the façade of the character, revealing the vulnerable truth beneath the vibrant exterior.

Ultimately, Galas serves as a poignant reminder of the humanity inherent within celebrity culture, encouraging audiences to approach these larger-than-life figures with compassion and understanding, recognizing both their challenges and their potential to impact societal perceptions for generations.

The remaining performances of Galas, running through September 28, are sold out, reflecting the production’s widespread appeal. For more information, visit the official Little Island website.