Philadelphia Ballet returns to the Academy of Music for another season of George Balanchine’s The Nutcracker this holiday season.
The Philadelphia Ballet’s rendition of George Balanchine’s The Nutcracker has once again become a holiday staple, enchanting audiences at the Academy of Music. Known for its blend of charm and artistry, this iconic performance captures the essence of holiday tradition, attracting both new viewers and seasoned attendees.
Despite its popularity, The Nutcracker is not without its flaws. The two acts are loosely connected, with numerous first-act characters fading into obscurity by the time the curtain rises for Act Two. The division between children performers and professional dancers is particularly striking, with a noticeable absence of the youthful ensemble until the second act. Yet these inconsistencies do not overshadow the delightful experience of the performance.
This season’s opening night featured Melanyia Ramsay in the role of Marie, whose expressive dancing brought depth to the character. Emerson Lomba’s portrayal of the Nutcracker Prince was equally polished, while Lily Benecchi’s lively interpretation of Marie’s brother, Fritz, added a playful touch. It is noteworthy that this year’s cast saw several young girls stepping into traditionally male roles, showcasing the evolving landscape of ballet.
The Nutcracker’s magic remains steadfast, even for those who have witnessed the performance multiple times. The spectacle of life-sized dolls awakening from their boxes, the dramatic growth of the Christmas tree, and the captivating snow scene all contribute to the ballet’s enchanting allure. Each moment on stage transforms the narrative into a vivid dreamscape, making it a joy for audiences of all ages.
The snow scene stands out as one of the most mesmerizing experiences in the ballet. It features a visually arresting backdrop inspired by the Schuylkill River and often includes the Philadelphia Boys Choir. However, due to a scheduling conflict, the Philadelphia Girls Choir performed on opening night, seamlessly adding to the enchanting atmosphere. The children in the audience were visibly captivated, their eyes wide with wonder at the magical stagecraft.
The ballet unfolded with several standout performances in the Land of Sweets, including Mayara Pineiro’s impressive portrayal as Dewdrop during the Flower scene, showcasing her lightness and grace. Ashton Roxander and Isaac Hollis also received accolades for their energetic performances as lead Tea and Candy Cane, respectively, while Lucia Erickson executed her challenging lead Marzipan steps with finesse.
In the pas de deux, Yuka Iseda danced as the Sugar Plum Fairy alongside Zecheng Liang, whose adept partnering included daring lifts, adding excitement to their performance. The Angels scene drew gasps of delight from the audience, capturing the ethereal quality of the ballet.
The Nutcracker serves as an accessible introduction to ballet, inviting both children and adults to embark on a journey filled with holiday magic. Running through December 31, tickets range from to 2, appealing to a wide audience. The Philadelphia Ballet continues to present a transformative experience that encompasses both the art of ballet and the joy of the holiday season.
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