Unusual Jesus statue removed from Belgian nativity scene amid controversy over its unconventional design.
A controversial faceless statue of baby Jesus has gone missing from a Christmas Nativity scene in Brussels, stirring considerable public discourse. The statue, part of a unique collection created by artist Victoria-Maria Geyer, was removed from its display in the Grand Place over the weekend. It is believed to have vanished either on Friday night or Saturday morning.
The absence of the statuette, characterized by its lack of eyes, nose, and mouth, has puzzled Belgian authorities. The collection was initially designed to make a statement about inclusivity and universal representation; Geyer aimed to encourage onlookers to see themselves in the figures surrounding the Nativity, regardless of their backgrounds.
The statue drew significant criticism from a member of Belgium’s ruling conservative party, Georges-Louis Bouchez, who described the faceless figures as reminiscent of “zombies” more than a traditional Nativity scene. Bouchez’s remarks sparked a public outcry and led him to initiate a petition advocating for the replacement of the artwork. He expressed his view that such depictions do not appropriately reflect the spirit of Christmas. The term “zombie,” as used by Bouchez, has been interpreted as an unfortunate reference to individuals experiencing hardships in the vicinity of Brussels’ transportation hubs.
Geyer’s Nativity scene has been a focal point in the city’s Christmas festivities, which attract millions of visitors each year. In 2024, more than 4 million people visited the Christmas market located in Brussels’ historic center, underscoring the significance of holiday displays in drawing both locals and tourists.
Despite the controversy, the Nativity scene was planned to remain on display alongside a Christmas tree until January 4. The holiday season continues to be a time for reflection, community, and debate around inclusivity and representation in culture. The backlash from Bouchez and the potential theft of the statue reflect ongoing discussions within Belgian society regarding artistic expression, cultural identity, and the traditions associated with Christmas celebrations.
Belgians and visitors alike are left to ponder the impact of art on public life as they navigate the festive atmosphere of the city, now marked by the absence of a once-highlighted figure in a Nativity tableau that was intended to evoke thought and community spirit.
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