South Korean pianist overcomes stroke challenges to perform as a one-handed musician.
SEOUL, South Korea — In a remarkable journey of resilience and determination, South Korean pianist Lee Hun has transformed his life following a devastating stroke in 2012 that left his right side paralyzed. Initially focused on the daunting prospect of regaining his ability to walk, Lee never envisioned that he would return to playing the piano.
The turning point came when a mentor introduced Lee to the vast repertoire of piano compositions written exclusively for the left hand. This revelation reignited his passion for music, allowing him to return to the keyboard after an exhaustive period of practice. Today, he stands as South Korea’s only recognized professional left-hand-only pianist, preparing for his inaugural performance with an orchestra at an international music festival scheduled for next month.
The road to recovery was fraught with challenges. In August 2012, while pursuing a doctorate at the University of Cincinnati’s music school, Lee suddenly collapsed at home. The stroke he suffered resulted in severe damage to approximately 60% of his brain’s left hemisphere, rendering him unable to move his right arm and leg and causing temporary aphasia. After extensive surgery and rehabilitation, he was transported back to South Korea in a wheelchair, unrecognizable to many, including his own father.
Despair clouded Lee’s thoughts in the aftermath of his stroke; he initially could only focus on whether he would regain mobility. His situation began to improve following a 2013 dinner with his former piano instructor, Chun Yung Hae, who encouraged him to explore left-hand piano pieces. This encouragement led Lee to pursue music vigorously, marking his formal debut as a one-handed pianist in 2016 at Seoul St. Mary’s Hospital, where he had received care.
Since then, Lee has actively participated in recitals, television appearances, and has even authored a memoir detailing his experiences. He has gained recognition as “Korea’s Paul Wittgenstein,” drawing parallels to the Austrian pianist who commissioned significant works for the left hand after losing his right arm in World War I. Lee’s upcoming concert, set for May 2 at the Icheon Young-Artist International Music Festival, features Maurice Ravel’s “Piano Concerto for the Left Hand,” a challenging piece he eagerly anticipates performing.
While Lee continues to thrive as an artist, he carries dreams of one day returning to the keyboard with both hands. Remarkably, he managed to depress a piano key with his right hand during a concert in November 2024, a significant yet medically challenging milestone, as experts express skepticism about the full recovery of his right hand.
Despite this uncertain prognosis, Lee’s dedication to music remains unwavering. His emotional performances evoke deep connections with audiences, transcending technical prowess. Lee’s story encapsulates a profound journey of hope, exemplifying the power of perseverance amid adversity, as he strives to inspire others through his music.
